Alfred, the feet and hands, looked at as a draughtsman would before I change anything: every voice, render against drawing at the same size and camera, current build. In short, none of the ten hands matches its drawing, and none of the ten feet does either; a few are close in part. Two causes run through all of it, and both are in how I built them, not in a pose.

THE HANDS: one cause. Every hand is a sphere, a ball on the end of the arm. Every drawing draws a mitten: a palm, a short thumb, three outlined fingers, and a grip that wraps what it holds, with the fingers in front of the object so they break its outline.
- Butler, hat hand: does not match. The arm now reaches over the head, but the hand is hidden behind the hat and head. The drawing has a large white gloved fist on the front of the brim, knuckles over its edge, with a cuff at the wrist.
- Butler, tray hand: does not match. A ball tucked under the tray, mostly hidden behind the towel. The drawing has the palm under the tray with fingers showing at its rim, and a cuff.
- Coach, thumb hand: the closest of the ten, but not matched. The thumb now stands clear of the fist, but the fist is a smooth ball with no finger lines; the drawing curls three outlined fingers under an upright thumb.
- Coach, board hand: does not match. A ball at the board's lower corner. The drawing's fingers wrap the board's side edge in front of it.
- Colleague, mug hand: does not match. The mug floats in front of a ball, and its handle is hidden behind the mug. The drawing wraps the fingers round the mug's body, and the handle loops clear of the outline to her right.
- Colleague, free hand: does not match. A ball. The drawing has an open mitten resting flat by her hip, fingers outlined.
- Homie, both hands: do not match. Two balls side by side over the folded forearms. The drawing has each hand's fingers lying over the other forearm, outlined.
- Squire, shield hand: partly. It is on the shield's top edge now, but as a ball sitting on it. The drawing's fingers come over the edge to the front.
- Squire, sword hand: does not match. A ball under the quill, with the cream guard and grip ring reading as part of it. The drawing's fist wraps the navy handle, fingers outlined, with the handle showing above and below.
- Size: most of our hands read smaller than the drawn ones against the head. The drawn mitten is roughly half the visor's width; our balls are about a third.

THE FEET: two causes. The navy sole is my own invention; no drawing has a navy sole plate. And four voices have their sneaker colours inverted.
- Butler, both feet: do not match. Tall rounded blobs that touch at the inside. The drawing has lower dress shoes, longer front to back, with a sole lip, the toes turned a little outward, and a clear gap at the ankles.
- Coach, both feet: do not match. A cream upper on a thick navy band that reads as a plate, and too long. The drawing's shoe is cream throughout, upper and sole, with a thin dark line at the base, a blue side stripe, a cream toe cap, laces across the top and a raised ankle collar.
- Colleague, homie and squire, all six feet: do not match. Ours are cream uppers on navy soles. The drawings are blue uppers on a thick cream sole shelf, with cream laces and tongue and a high cream ankle collar. The homie's are also too small, as Vigee measured. The colleague's are rolled downward, because I turned her feet to hide the navy soles; with the colours right they can point forward again.
- None of the five pairs has laces, the cream midsole stripe, or the toe lift the drawings give a sneaker.

What I propose to do, once you say go:
1. One hand builder, used for all ten hands: a mitten (a palm, a thumb, three finger capsules with ink lines between them) and four grips. A fist round a handle (the squire's sword, the coach's thumbs-up with the thumb raised), fingers wrapped round a body (the colleague's mug, with its handle turned out), fingers over an edge (the butler's brim and tray, the coach's board, the squire's shield), and an open hand at rest (the colleague's free hand, the homie's two). Each held piece would be placed in the grip's hollow, rather than the hand placed against it. Hands sized to about half the visor's width.
2. Two shoe builders. A sneaker with a cream sole shelf hugging the upper, a thin ink line at its base, a toe cap, laces as ink over the tongue, a raised collar and the side patch; its colours per voice, cream upper for the coach and blue for the other three. A dress shoe for the butler: low, long, with a sole lip and a slight toe lift. The feet stand apart with a gap at the ankles, toes turned out as drawn.
3. Then a crop sheet of the ten hands and ten feet beside their drawings, to judge them by.

Also in the working tree, uncommitted, from round 3: the dark-cloth shading fix. The second band was gone because three's toon map is read at half the light's cosine plus a half, so my band edge at 13/32 shaded only surfaces turned away from the sun. The edge is now at 17/32, the sun sits on the right as in the drawings, and dark paints have a lifted lit band over a deeper shadow. Dark cloth now shows charcoal and near black with curved, crisp edges, and the cream heads take their lavender shadow on the left. Also uncommitted: the measured pose changes, the sneaker fit from round 3 that this pass would replace, and the garment fixes. The change you stopped (the colleague's head, the butler's coat, the squire's shield) was not applied.

No code checks: the commandments tool isn't installed in this worktree. No rebase, as you asked.

Preview: http://127.0.0.1:8431/toon-preview/index.html
Overlays, all five in their drawn pose: http://127.0.0.1:8431/toon-preview/rest/overlays.png (live: http://127.0.0.1:8431/toon-preview/compare.html?voice=all)